James Nachtwey b1948

"I think the raising of people's consciousness is the first step toward creating public opinion and public opinion creates an impetus for change. It creates pressure on decision makers, the powers that be, who make choices that affect the lives of thousands of people. Helping create the impetus for them to move in the right direction, through public opinion, is something worth doing"





                        Romania, 1990 - An orphanage for " incurables".


The photograph you see above is one that shocked just about everyone oin the western world. But people weren't just shocked - they felt the need to do something for these children, and many ordinary people just put their lives on hold and went to Romania to do whatever they could - they went and despite the terrible conditions and the ingrained indiference of the staff, they did things for these children. Without Jim's photos, the lives of these children would not have been changed. I really don't know if he realises just how much good he has done.

James Nachtwey grew up in Massachusetts and graduated from Dartmouth College, where he studied Art History and Political Science (1966-70). Images from the Vietnam War and the American Civil Rights movement had a powerful effect on him and were instrumental in his decision to become a photographer. He has worked aboard ships in the Merchant Marine, and while teaching himself photography, he was an apprentice news film editor and a truck driver.

In 1976 he started work as a newspaper photographer in New Mexico, and in 1980, he moved to New York to begin a career as a freelance magazine photographer. His first foreign assignment was to cover civil strife in Northern Ireland in 1981 during the IRA hunger strike. Since then, Nachtwey has devoted himself to documenting wars, conflicts and critical social issues. He has worked on extensive photographic essays in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time Magazine since 1984. He was associated with Black Star from 1980 - 1985 and was a member of Magnum from 1986 until 2001. In 2001, he became one of the founding members of the photo agency, VII. He has had solo exhibitions at the International Center of Photography in New York, the Bibliotheque nationale de France in Paris, the Palazzo Esposizione in Rome, the Museum of Photographic Arts in San Diego, Culturgest in Lisbon, El Circulo de Bellas Artes in Madrid, Fahey/Klein Gallery in Los Angeles, the Massachusetts College of Art in Boston, the Canon Gallery and the Nieuwe Kerk in Amsterdam, the Carolinum in Prague,and the Hasselblad Center in Sweden, among others.

He has received numerous honours such as the Common Wealth Award, Martin Luther King Award, Dr. Jean Mayer Global Citizenship Award, Henry Luce Award, Robert Capa Gold Medal (five times), the World Press Photo Award (twice), Magazine Photographer of the Year (seven times), the International Center of Photography Infinity Award (three times), the Leica Award (twice), the Bayeaux Award for War Correspondents (twice), the Alfred Eisenstaedt Award, the Canon Photo essayist Award and the W. Eugene Smith Memorial Grant in Humanistic Photography. He is a fellow of the Royal Photographic Society and has an Honorary Doctorate of Fine Arts from the Massachusetts College of Arts.

His photo gallery at his website is a must but do be prepared to see the world that he has to inhabit whilst we have the luxury of just visiting.

"I am trying to upset people. I am trying to interrupt their day. I am trying to provoke some sympathy and to provoke some outrage. To stop them for a minute and make them feel something."

"I think the raising of people's consciousness is the first step toward creating public opinion and public opinion creates an impetus for change. It creates pressure on decision makers, the powers that be, who make choices that affect the lives of thousands of people. Helping create the impetus for them to move in the right direction, through public opinion, is something worth doing. In spite of all the frustrations and setbacks, I think it's a process that works. Sometimes it's more immediate, sometimes it's agonizingly slow. But, that pressure always has to be there to drive the process forward. It helps. It's quite often at odds with what governments are putting out, the information and the spin they want to put on events because essentially they want to rule the agenda. I think they find public opinion annoying. It gets in their way. And indeed it should get in their way. It should help divert them to the right course."

It Does



Photograph copyright James Nachtwey used for educational purposes only.

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